The Project Gutenberg EBook of Mother's Knitter, by Elvina M. Corbould This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Mother's Knitter Containing some patterns of things for little children Author: Elvina M. Corbould Release Date: August 15, 2020 [EBook #62932] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK MOTHER'S KNITTER *** Produced by Susan Skinner, Stephen Hutcheson, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
BY
E. M. C.
CONTAINING SOME PATTERNS OF THINGS FOR LITTLE CHILDREN.
LONDON:
HATCHARDS, PICCADILLY.
1882.
LONDON
PRINTED BY STRANGEWAYS AND SONS,
Tower Street, Upper St. Martin’s Lane.
Always cast off loosely, unless directed to the contrary.
The size of wool and pins is important in trying a pattern. Wools necessarily vary, both in quality and price; the best kinds to use for babies’ boots are Merino, Andalusian, 2-thread Lady Betty, and Eider yarn. Penelope wool is a trifle thicker, and is sold in 2-oz. skeins. Small-sized things can be increased by using larger pins and coarser wool: for instance, the smallest boot in this book can be made to fit a much older baby by using Berlin fingering and bone pins, No. 13.
To increase, or make.—With your right-hand pin knit through the lower part of the next stitch as well as through the next stitch. Or, if at the beginning of a row, knit the first stitch, then knit again through it from the back. Or, put the wool before the needle, but this makes a hole. Or, cast on another stitch, and then knit it.
To decrease.—Knit 2 stitches at the same time so as to make 1 out of the 2. Or, slip a stitch from the left pin to the right without knitting it, knit the next stitch, then with your left pin pull the slipped stitch over the knitted one.
To pearl, or purl, or seam.—Bring the wool in front of the knitting, and insert the needle the reverse way through the stitch. Replace the wool in its right place.
To raise, or pick up.—Put your right needle through the knitting, put the wool round the needle, and draw the wool through the knitting.
THE STANDARD OF MEASUREMENT FOR THE KNITTING PINS IS CHAMBERS’ BELL GAUGE.
This fastens behind, and fits a child of about eight months’ old; it is very elastic, and quite an easy pattern.
You require 3 pins No. 8, and 2 ounces Berlin fingering.
Cast on 133 stitches; rib, by knitting 1, pearling 1 all the way through, taking care that the knitted of one row is the pearled of the other row. Work for 32 rows, then work backwards and forwards on 34 stitches only, for 19 rows. Then leave this wool and 8 pin for a time, you will go on with them presently.
Go on with the middle; fasten the wool next to the piece you have just done, and cast off three stitches, this goes under the arm; work upon the next 59 for 18 rows, break off the wool.
Knit off the stitches on the right-hand pin, the one you had left with the wool attached, knit the centre 59 stitches, knitting in the end of wool to fasten it off securely. Then leave these 93 for a time.
Work the remaining side for 18 rows, and in the 19th you must have all your stitches again on one pin, namely, 129. The casting off has made the ribs uneven, so keep the 2 plain stitches, which come together, as the shoulder seam. These 2 stitches are opposite the cast-off stitches.
In every row decrease on each side of these 2 thus:—Slip 1, knit 1, pass the slipped over, knit the 2 shoulder stitches, 9 knit 2 together. This makes 4 decreasings in a row. Do 12 rows, then 3 rows without decreasing, and make the ribs even now, by knitting 2 together at the shoulder. Cast off.
Sleeve.—Hold the shoulder towards you, and pick up 9 stitches rather close together; the 5th of these 9 stitches ought to be exactly at the shoulder; pearl back. Always cast on two more stitches at the beginning of every row, until you have 42 stitches; you must knit and pearl alternate rows, making the plain side of sleeve the right side of the spencer.
When you have done 53 rows use steel pins, No. 12, and knit 2 pearl, 2 for 6 rows. Cast off, sew together on the wrong side, then sew in the sleeve.
This will fit a child of ten months old.
You require 6 skeins of the palest blue Berlin fingering. Be careful to use the pins as directed, for the goring of the skirt is managed without decreasings.
Cast on with pins No. 3, 264 stitches.
Knit a row, pearl a row, knit a row, pearl a row, knit a row.
6th row. Knit 1, bring the wool forward, knit 3, slip 1, knit 1, pass the slipped stitch over the knitted one, knit 2 together, knit 3, wool forward, knit 1.
7th row. Pearl.
8th row. This and every alternate row is like the 5th.
9th row. Pearl.
11th row. Pearl.
13th row. Knit; also knit the 15th and 17th rows; then go back to the 5th row.
When 34 rows are done, use pins No. 5. At the 61st row use pins No. 8.
77th row. Like 5th, but omit bringing the wool forward.
78th row. Use steel pins No. 12; you ought to have now 220 stitches. Decrease about every 9th stitch by pearling 2 together, so as to reduce your number of stitches to 192.
74th row *. Bring the wool forward, slip 1, inserting the pin as though you were going to pearl it, knit 2 together; repeat from *. Do 48 rows in this manner. Note that each chain is 2 rows.
123rd row. Knit 54, that is, 18 sets of 3. Leave the other stitches. With a third steel pin, No. 12, knit back on these 54 still with the brioche stitch.
2nd row. Knit 51 (or 17 sets), knit the 3 last together, omitting to bring the wool forward.
3rd row. Slip 1 in the usual way, brioche the rest. You must always decrease at the 12 end in every alternate row for the slope. Of course these decreasings come at the end nearest the middle.
When you have decreased to 42, do 9 rows without decreasings. The body ought at this side to be 68 rows deep; you are at the beginning of a row; leave these stitches now, do not break off the wool.
Take another ball, join the end with a wool needle, work upon the centre 84 stitches; slip the last 54 upon a piece of wool.
Decrease at each end of the 84 until you have only 69, then work without decreasing until this part is the same length as the other. Leave these stitches and break off the wool; take care that the wool is at the right-hand end.
Do the last side to match the first, and then leave the body until the sleeves are ready.
Sleeve.—Cast on 56 with the steel pins No. 12, knit a row, pearl a row, knit a row.
4th row. Knit 1, wool forward, knit 1, slip 1, knit 1, pass the slipped over, knit 2 together, knit 1, wool forward, knit 1.
4th row. Pearl. Repeat alternately, but the 11th, 13th, and 15th rows are knitted.
18th row. Use pins No. 8.
20th row. Slip the 1st, slip 1, knit 1, pass the slipped over. Continue as usual, but decrease at the end by omitting to put the wool forward.
21st row. Pearl 2 together at the beginning and end of every row. In the 22nd row, knit 3 together to make the pattern even.
32nd row. Cast off 4 stitches, knit 25, cast off the last 4; break off the wool and fasten it in with a wool needle.
Now go on with the body. Begin from the right side where you had left your ball of wool. Still use pins No. 12. Plain knitting, taking the stitch and the wool before it as 1; consequently you have 36 14 plain stitches on this pin now. Knit off the 27 sleeve stitches from the No. 8 pin. The remainder is all plain knitting. Knit the centre stitches, knit off the 27 of your second sleeve, knit the last 54. You ought to have 154 stitches altogether. Do 2 plain rows.
3rd row. Knit 3, knit 2 together alternately.
4th row. Put the wool round the needle every third stitch (above the decreasing in previous row). This makes holes for running in a ribbon as a fastening. Do 2 more plain rows. Leave this part; do not break off the wool.
Edging for Neck.—Cast on 184 with pins No. 12, and work like sleeve for 7 rows. Lay this pin beside the neck, and cast off through both at once, so as to join the two; but remember that the edging has 30 more stitches than the neck, so you must occasionally take 2 of the border stitches together. 15 It is easier to do this with a bone crochet-hook than with a knitting-pin.
Make button-hole by pulling aside the stitches and working over. The buttons ought to be small, flat moulds, covered with crochet.
It is a good plan to match the sash for the frock with the wool first, as it is not possible to get in all shades a good match for silk and wool.
This is a very simple and quick pattern to fit a little child; it is meant to be sewn to the stays.
Use pins No. 9 and white Scotch fingering. Cast on 150 stitches and knit plain for 8 inches. Use finer pins for 2 more inches. Then use steel pins, No. 16, and knit 2, pearl 2, for 6 rows. Cast off. Pull out the knitting a good deal while you are measuring. This particular work looks better with the rows wide apart.
The crown is done in crochet, treble or double round and round until large enough, increasing wherever necessary to make it lie flat. The improvement is to make the brim of knitting instead of crochet. Use single Berlin wool, wheeling, or fingering yarn.
For an ordinary size, to measure 22 inches, 114 stitches.
Pick up with 3 pins, No. 14, 38 on each pin, knit 2, pearl 2 for 14 rounds, and cast off very loosely. A tight knitter had better cast on 6 more, as this pattern is for a loose knitter.
For a child of 4 years have 35 stitches on 2 pins, and 36 on the third, and rib 2 plain, 2 pearl.
Cast on in sixes.
1st row. Bring the wool forward before the needle, knit 1, wool forward, knit 1, slip 1, knit 2 together, pass the slipped stitch over, knit 1.
2nd row. This and every alternate row pearled.
3rd row. Wool forward, knit 3, wool forward, slip 1, knit 2 together, pass the slipped stitch over.
5th row. Knit 1, slip 1, knit 2 together, pass the slipped over, knit 1, wool forward, knit 1, wool forward.
7th row. Slip 1, knit 2 together, pass the slipped over, wool forward, knit 3, wool forward.
Always cast on 2 or 4 stitches over, so as to have 1 or 2 stitches plain at the beginning of each row.
Notice that an open-work pattern of a sock is broader than plain knitting: it is as well to have a few less stitches for open-work knitting than for plain knitting.
This is full size for a child of a year old; the leg is 7 inches, and the foot 5¾ long, inclusive measurement. 4 pins, No. 16, and 1 skein Shetland wool. For a smaller sized sock use pins No. 17.
Cast on 71 stitches, rib 2 plain, 2 pearl, for 18 rows, making the 1st stitch the seam-stitch; that is, you pearl this stitch every 3rd round. Then plain knitting until the leg is 4½ inches deep. Now, work the seam-stitch, knit 2 together, and when you come to the last 2 stitches of the round slip 1, knit 1, pass the 20 slipped stitch over. Knit 10 rounds and repeat this decreasing. When 5¼ inches are done, divide your stitches for the heel.
Heel.—Put 17 stitches on each side of the seam-stitch, have them all on one pin; you ought to have 35 stitches for your heel. You leave the other 32 stitches on the 2 remaining pins. Knit and pearl alternate rows upon these heel-stitches for 2 inches, still making the seam stitch.
When this piece measures 2 inches long you turn the heel.
* Knit to the seam-stitch. Knit that stitch, for henceforward you cease making it. Knit 4, knit 2 together, knit 1. Turn back, pearl 11, pearl 2 together, pearl 1. Turn back and repeat from *.
You perceive the actual turning of the heel is all on 13 stitches.
Pick up 17 from the side of heel, knit the 32, pick up 17 from the second side, and now you knit in rounds again. You have 79 21 stitches. Reduce at each side every 2nd row until you have only 67. When the foot measures 4½ inches long, decrease for the toe at each side, thus:—Slip 1, knit 1, pass the slipped over, knit 2, knit 2 together. Knit the middle 33 stitches, and repeat the decreasings; in this way you get rid of 4 stitches. Do this every other row. When 5½ inches are done, measuring from the outside of heel, draw the stitches together with a needle, or knit together by dividing on to 2 needles, or cast off and sew up.
The sock is knitted in Shetland and the shoe in Penelope wool. 2 pins, No. 15, and 2 No. 17.
Cast on 27 stitches for the sole, which is all plain knitting. Increase at the end of every row until you have 36 stitches. Discontinue increasing now, and knit 3, pearl 3, for 3 rows.
Then change the squares to make an even pattern; pearling where you had knitted in the previous row.
Go on in this way for 12 rows. Work 24 stitches, then slip them on a piece of wool. Work the other 12 stitches and knit twice into the last stitch. Increase twice at this side at the end of every row for 7 rows, until you have 20 stitches. Be careful to keep the squares even. Do one row without increasing, then decrease at the same place at 23 the beginning and at the end of every row until you have 12 again. Cast on 24 more stitches opposite the other side. Do 12 rows of the pattern, then decrease at each end until you have only 27. Cast off.
Go on with the 24 which you had slipped on a piece of wool, slip the point of the pin through 12 stitches from the front across the instep, then run it through the 24 stitches which you had cast on for the second side. This makes 60 altogether. Knit a row, pearl a row, alternately; the pearled rows come on the right side of the shoe and make a roll. Do 4 rows and cast off.
With the Shetland and pins No. 16 raise 16 stitches quite underneath the roll at the instep (where you had picked up the 12), knit and pearl alternate rows 18 times. Be careful that the plain rows come on the right side.
19th row. Raise 23 on the left side, pearl back on these 39 stitches, raise 23 from the 24 next side. Knit alternate pearl and plain rows for 28 rows, rib for 10 rows and cast off very loosely. Sew up very carefully, especially at the toe; it is a very good shape if not made too broad.
Strap.—Cast on 17 with pins No. 15 and Penelope wool; fasten to the heel by knitting on 5 stitches behind the roll, working through the heel-stitches of the boot; cast on 17 more stitches: you ought to have 39 altogether. Knit 2 plain rows.
3rd row. Knit 2, knit 2 together, wool forward; repeat. Knit 2 more plain rows, and cast off. Make a crochet chain or twist of wool and run it through these holes; add a ball at each end of it.
Merino or Andalusian wool, and pins No. 14.
All these patterns can have the sock worked in white, and the shoe part in a colour, but all white is preferable.
Cast on 48, and do 14 rows of ribbed knitting. Then knit a row, pearl a row for 2 inches; or work this part in any open-work pattern, of which there are so many in The Lady’s Knitting-Books, especially on page 56 of 1st Series.
1st row of instep. Knit 18; leave these stitches for a time: you can slip them on a piece of wool, and knit backwards and forwards on the centre 12 stitches for 18 rows. Suppose you have made the leg open-work knitting, this must be done the same. You can slip the last 18 stitches also on a piece of wool.
19th row. If you are using two colours, you must now join the coloured wool, which is used for the remainder of the boot. Plain knitting.
20th row. Knit.
21st row. Pearl.
22nd row. Knit.
23rd row. Knit. Pearl the next row, and continue thus to make ridges of 3 lines. When 4 ridges are done, you must decrease for the toe. Pearl the 12 stitches as usual to keep the ridges even. Then for the 13th row work thus:—Slip 1, knit 2 together, knit 6, knit 2 together, knit 6, knit 2 together, knit 1.
14th row. Pearl.
15th row. Like 13th, but knit 4 instead of 6.
16th row. Knit.
17th row. Pearl 1, pearl 2 together, pearl 2, pearl 2 together, pearl 1.
18th row. Slip 1, knit 1, pass the slipped stitch over, knit 2, knit the last 2 together. 27 This finishes the toe. Break off the wool and fasten in the end.
Go on with the right-hand pin which has the 18 stitches on it; knit these off, then raise 24 from the side; knit the 4 toe stitches. Now take a third pin (you only use it once, so it does not matter if it is not the same size) and run through the 18 stitches you had slipped on the piece of wool, and raise 24 from the side of instep: knit these off. You have now 88 stitches altogether. Pearl the next row, knit the next 2, and so on, to keep the ridges even. Do 4 of these ridges.
13th row. You have the wrong side of the knitting towards you. Knit 3, knit 2 together, knit 31, knit 2 together, knit 12, knit 2 together, knit 31, knit 2 together, knit 3.
14th row. Pearl.
15th row. Knit 3, knit 2 together, knit 30, knit 2 together, knit 10, knit 2 together, knit 30, knit 2 together, knit 3.
16th row. Pearl.
17th row. Knit 3, knit 2 together, knit 29, knit 2 together, knit 8, knit 2 together, knit 3, knit 2 together, knit 29, knit 2 together, knit 3.
18th row. As usual.
19th row. Knit 3, knit 2 together, knit 28, knit 2 together, knit 6, knit 2 together, knit 3, knit 2 together, knit 28, knit 2 together, knit 3.
Slip half your stitches on another pin, lay the pins alongside, and cast off through both stitches at once.
Strap.—Cast on 20 stitches; then cast on 5 more, at the same time drawing the wool through the shoe itself, exactly in the centre of the upper ridge at the heel. This makes 45 altogether; pearl back.
2nd row. Knit 1, knit 3 together, knit the rest.
3rd. Pearl 41, pearl into the long stitch, pearl again into it by twisting it, pearl the 29 last. Knit the next row and cast off. Sew a button to the other side.
This pattern is very pretty, with the leg and open-work pattern done in Shetland wool. In either silk or Shetland, and pins No. 17, cast on 64 stitches, have 14 for the instep, which must be about 18 rows long. Then join the Andalusian wool for the ridges, which make the toe, and do the shoe also in Andalusian.
You require a skein of Shetland wool, and one of Penelope yarn, two pins No. 16, and two bone No. 13. With pins No. 16, cast on 72 stitches. You can use the same number of stitches for silk. Knit the 1st and 3rd rows, pearl the 2nd.
4th row. Knit 1, wool forward, knit 1, slip 1, knit 1, pass the slipped over, knit 2 together, knit 1, wool forward, knit 1. Repeat.
5th row. Plain.
Repeat these two rows for 2½ inches. Cast off 26, knit 46. In the next row cast off 24 stitches, and work backwards and forwards, keeping the pattern even, upon the middle 20 stitches. Pearl the alternate rows. Work 22 rows, cast off.
Boot.—The coarser wool and pins. Cast on 28, knit the first row. Then always increase 31 at the end of every row until you have 38 stitches. Do 15 rows without increasing.
Toe.—21st row. Work only on 13 stitches, leaving 25 unworked. You can slip these on a piece of wool. Increase 1 at the end of every row; this increasing is at the end farthest away from the 25 stitches. When you have 23 stitches, decrease at the same place every alternate row, by knitting the last 2 together until you have 13 again. Cast on 25 more for the second side, do 15 plain rows, then decrease at the end of each row, until you have only 28 stitches. Cast off.
Go on with those on the third pin. Raise 12 on the instep, raise the stitches you first cast on. You ought to have 63 stitches. Join the wool; knit a row, pearl a row, knit a row, pearl a row, cast off. Sew the Shetland part to the Penelope, beginning at the instep, then sew from the heel, so as to be sure that the sock shall be put in 32 exactly even. Last of all, sew up the boot; all this sewing to be on the wrong side, of course.
Make the strap as described in either of the previous patterns. The last is advised.
This pattern can be knitted in a quicker way for common wear by doing it entirely in Penelope wool.
For full size use bone pins No. 13. Cast on 34 for the sole; work the boot as described, only allow for these extra 6 stitches; then do the roll, for which you raise 15 at the instep. It does not signify whether the roll curls inward or outward, that is a matter of taste. Begin the sock at the instep by raising 14 stitches, knit and pearl alternate rows, to look like a stocking, for 11 rows, then raise the last 14 on each side, and knit all the 42 stitches, pearl the alternate rows.
Do 16 rows, rib 12 rows, cast off very loosely.
Knitted with white and coloured wool, any fine kind, and coarse needles. You must increase at the end of every row.
Cast on 5 with white and pearl them. Slip the first, wool forward, knit 3, slip the first of these over the other 2.
This makes the daisy. Knit the other 2. Now join the colour and pearl back. The alternate rows are always pearled, and you must always change the colour then.
The next row is fancy knitting, and is always alike. When there is 1 stitch left you knit plain, and increase as usual; but when there are 2 you pick up another between, so as to have the 3 stitches necessary for the pattern.
This is quite easy work. It is very soft and warm, and is meant to take the place of 34 a long first cloak. It is all plain knitting with a good border.
You require 1½ lb. of white Berlin fingering wool and long wooden pins, No. 3.
Cast on 1 stitch and increase at the end of every row until the knitting measures 1 yard and 5 inches deep, then decrease by knitting the last 2 in every row together, until you have only 2. Cast them off.
Border.—Work 1 round of double crochet.
2nd round. 1 long treble (wool twice round the hook), 1 chain, miss 1. Repeat.
3rd round. Do 2 rounds of fan-pattern (page 16 of The Lady’s Crochet-Book, third Series). Increase at the corners.
6th round. Work 8 treble into a hole, miss a hole, 1 single into the next, and so on to make a scallop.
Run a thick cream satin ribbon all round the shawl in the spaces left by the long treble.
Index of Things to be found in ‘The Lady’s Knitting-Books,’ Parts I., II., III., and IV. The Number of Part is given.
A | |
---|---|
Antimacassars | Parts I., III., IV. |
Arrow Pattern | I. |
B | |
Baby’s Boots | I., II., III., IV. |
” Hood | I., II. |
” Quilt | I. |
Bag | III., IV. |
Balls | III. |
Berceaunette Blanket | III. |
” Cover | I., III. |
Bodices | I., IV. |
Borders | I., III. |
Braces | IV. |
Brioche Knitting | I. |
C | |
Cable Knitting | I. |
Canadian Cloud | I. |
Cardinal Cape | III. |
Carriage Rug | I., III., IV. |
Child’s Chemise | III. |
Comforter | I. |
Counterpanes | I., II., III. |
Couvrettes | I., II., III., IV. |
Crimean Helmet | II. |
Cushion | I., IV. |
D | |
Double Knitting | I. |
E | |
Edgings | I., III. |
F | |
Fancy Stitches | I., II., III., IV. |
Fringe | I. |
Frock | III. |
G | |
Gaiters | I., II. |
Gloves | IV. |
H | |
Hassock | III. |
Hearth Rug | I. |
Hood | II. |
J | |
Jackets | IV. |
Jerseys | I., III. |
K | |
Knee-cap | I. |
L | |
Loop Knitting | I. |
M | |
Mittens | III., IV. |
Muff | II. |
Muffatees | I., III., IV. |
N | |
Night Sock | I. |
O | |
Open-work Patterns | I., II., III., IV. |
Opera Cloak | II., III. |
P | |
Pence Jugs | I., II. |
Petticoats | I., II., III., IV. |
Pincushion | II. |
Purse | I. |
Q | |
Quilts (see Counterpanes). | |
S | |
Scalloped Edging | I., III. |
Scotch Cap for Pence | III. |
Shawls | I. |
Sleeves | III. |
Slipper with Warm Lining | IV. |
Socks | I. |
Sofa Blankets | IV. |
Stockings | I. |
” on Two Pins | III. |
Swiss Brioche Stitch | III. |
T | |
Tea Cosey | II., IV. |
Tippets | II., III. |
Towel | IV. |
U | |
University Boating Jersey | III. |
V | |
Veil | II. |
Vests | I., II., III., IV. |
W | |
Waistcoats | I. |
Window Curtains | III. |
Work for Poor People | IV. |
N.B.—The 13 Series in handsome box, price 15s.
Over 160,000 Copies of the above Series have been sold.
HATCHARDS, 187 PICCADILLY, LONDON.
And all Booksellers and Berlin-Wool Warehousemen.
End of the Project Gutenberg EBook of Mother's Knitter, by Elvina M. Corbould *** END OF THIS PROJECT GUTENBERG EBOOK MOTHER'S KNITTER *** ***** This file should be named 62932-h.htm or 62932-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/6/2/9/3/62932/ Produced by Susan Skinner, Stephen Hutcheson, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.