The Project Gutenberg EBook of Index of the Project Gutenberg Works of Robert Browning, by Robert Browning This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of the Project Gutenberg Works of Robert Browning Author: Robert Browning Editor: David Widger Release Date: March 25, 2019 [EBook #59123] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF BROWNING *** Produced by David Widger
LIFE AND LETTERS OF ROBERT BROWNING | |
Chapter 1 | Origin of the Browning Family |
Chapter 2 | Robert Browning's Father |
Chapter 3 | 1812-1826 |
Chapter 4 | 1826-1833 |
Chapter 5 | 1833-1835 |
Chapter 6 | 1835-1838 |
Chapter 7 | 1838-1841 |
Chapter 8 | 1841-1844 |
Chapter 9 | 1844-1849 |
Chapter 10 | 1849-1852 |
Chapter 11 | 1852-1855 |
Chapter 12 | 1855-1858 |
Chapter 13 | 1858-1861 |
Chapter 14 | 1861-1863 |
Chapter 15 | 1863-1869 |
Chapter 16 | 1869-1873 |
Chapter 17 | 1873-1878 |
Chapter 18 | 1878-1884 |
Chapter 19 | 1881-1887 |
Chapter 20 | Constancy to Habit |
Chapter 21 | Marriage |
Chapter 22 | Illness and Death |
Conclusion | |
Index |
Transcriber's comments |
INTRODUCTORY NOTE |
A BLOT IN THE 'SCUTCHEON |
ACT I |
ACT II |
ACT III |
Introduction— | PAGE |
I. The Life of Browning | 7 |
II. The Poetry of Browning | 31 |
Bibliography | 57 |
Chronological Table | 60 |
Selections from Browning— | |
(The figures in parentheses refer to the pages of the Notes.) | |
Songs from Paracelsus (389) | 65 |
Cavalier Tunes (391) | 69 |
The Lost Leader (391) | 72 |
"How They Brought the Good News" (392) | 73 |
The Flower's Name (393) | 76 |
Meeting at Night (393) | 78 |
Parting at Morning (393) | 78 |
Evelyn Hope (393) | 78 |
Love Among the Ruins (394) | 81 |
Up at a Villa—Down in the City (394) | 84 |
A Toccata of Galuppi's (395) | 88 |
Old Pictures in Florence (396) | 91 |
"De Gustibus—" (399) | 101 |
Home-Thoughts, from Abroad (399) | 103 |
Home-Thoughts, from the Sea (400) | 104 |
Saul (400) | 105 |
My Star (402) | 126 |
Two in the Campagna (403) | 126 |
In Three Days (403) | 129 |
The Guardian-Angel (403) | 130 |
Memorabilia (404) | 132 |
Incident of the French Camp (404) | 133 |
My Last Duchess (404) | 135 |
The Boy and the Angel (404) | 137 |
The Pied Piper of Hamelin (404) | 141 |
The Flight of the Duchess (405) | 152 |
A Grammarian's Funeral (406) | 183 |
"Childe Roland to the Dark Tower Came" (407) | 189 |
How It Strikes a Contemporary (409) | 196 |
Fra Lippo Lippi (409) | 200 |
Andrea Del Sarto (413) | 213 |
The Bishop Orders His Tomb at Saint Praxed's Church (414) | 222 |
Cleon (416) | 227 |
One Word More (417) | 239 |
Abt Vogler (419) | 247 |
Rabbi Ben Ezra (422) | 253 |
Caliban Upon Setebos (423) | 260 |
May and Death (425) | 271 |
Prospice (425) | 272 |
A Face (425) | 273 |
O Lyric Love (425) | 274 |
Prologue to Pacchiarotto (425) | 275 |
House (426) | 276 |
Shop (426) | 278 |
Hervé Riel (426) | 282 |
Good to Forgive (427) | 289 |
"Such a Starved Bank of Moss" (427) | 290 |
Epilogue to the Two Poets of Croisic (427) | 290 |
Pheidippides (427) | 295 |
Muléykeh (428) | 302 |
Wanting Is—What? (428) | 309 |
Never the Time and the Place (428) | 310 |
The Patriot (429) | 311 |
Instans Tyrannus (429) | 312 |
The Italian in England (430) | 315 |
"Round Us the Wild Creatures" (431) | 321 |
Prologue to Asolando (431) | 321 |
Summum Bonum (431) | 323 |
Epilogue to Asolando (431) | 324 |
Pippa Passes (431) | 325 |
Notes | 389 |
PAGE | |
The Pied Piper of Hamelin | 11 |
Hervé Riel | 24 |
Cavalier Tunes | 31 |
“How They Brought the Good News from Ghent to Aix” | 34 |
Through the Metidja to Abd-el-kadr | 37 |
Incident of the French Camp | 39 |
Clive | 41 |
Muléykeh | 59 |
Tray | 68 |
A Tale | 70 |
Gold Hair | 75 |
Donald | 82 |
The Glove | 90 |
PAGE | |
The Pied Piper of Hamelin | Frontispiece |
“‘Leave to go and see my wife, whom I call the Belle Aurore’” | 30 |
“I galloped, Dirck galloped, we galloped all three” | 34 |
“A rider bound on bound full galloping, nor bridle drew until he reached the mound” | 39 |
“Hair, such a wonder of flix and floss” | 75 |
“And full in the face of its owner flung the glove” | 95 |
PAGE | |
BIOGRAPHICAL SKETCH | ix |
PAULINE: A FRAGMENT OF A CONFESSION | 1 |
Sonnet: "Eyes, calm beside thee, (Lady, couldst thou know!)" | 11 |
PARACELSUS. | |
I. Paracelsus aspires | 12 |
II. Paracelsus attains | 19 |
III. Paracelsus | 25 |
IV. Paracelsus aspires | 34 |
V. Paracelsus attains | 40 |
STRAFFORD: A TRAGEDY | 49 |
SORDELLO | 74 |
PIPPA PASSES: A DRAMA | 128 |
KING VICTOR AND KING CHARLES: A TRAGEDY | 145 |
DRAMATIC LYRICS. | |
Cavalier Tunes. | |
I. Marching Along | 163 |
II. Give a Rouse | 163 |
III. Boot and Saddle | 163 |
The Lost Leader | 164 |
"How they brought the Good News from Ghent to Aix" | 164 |
Through the Metidja to Abd-el-Kadr | 165 |
Nationality in Drinks | 166 |
Garden Fancies. | |
I. The Flower's Name | 166 |
II. Sibrandus Schafnaburgensis | 167 |
Soliloquy of the Spanish Cloister | 167 |
The Laboratory | 168 |
The Confessional | 169 |
Cristina | 169 |
The Lost Mistress | 170 |
Earth's Immortalities | 170 |
Meeting at Night | 170 |
Parting at Morning | 170 |
Song: "Nay but you, who do not love her" | 170 |
A Woman's Last Word | 171 |
Evelyn Hope | 171 |
Love among the Ruins | 171 |
A Lovers' Quarrel | 172 |
Up at a Villa—Down in the City | 174 |
A Toccata of Galuppi's | 175 |
Old Pictures in Florence | 176 |
"De Gustibus—" | 178 |
Home-Thoughts, from Abroad | 179 |
Home-Thoughts, from the Sea | 179 |
Saul | 179 |
My Star | 184 |
By the Fireside | 185 |
Any Wife to Any Husband | 187 |
Two in the Campagna | 189 |
Misconceptions | 189 |
A Serenade at the Villa | 189 |
One Way of Love | 190 |
Another Way of Love | 190 |
A Pretty Woman | 190 |
Respectability | 191 |
Love in a Life | 191 |
Life in a Love | 191 |
In Three Days | 192 |
In a Year | 192 |
Women and Roses | 193 |
Before | 193 |
After | 194 |
The Guardian-Angel | 194 |
Memorabilia | 195 |
Popularity | 195 |
Master Hughes of Saxe-Gotha | 195 |
THE RETURN OF THE DRUSES | 197 |
A BLOT IN THE 'SCUTCHEON | 216 |
COLOMBE'S BIRTHDAY | 230 |
DRAMATIC ROMANCES. | |
Incident of the French Camp | 251 |
The Patriot | 251 |
My Last Duchess | 252 |
Count Gismond | 252 |
The Boy and the Angel | 253 |
Instans Tyrannus | 254 |
Mesmerism | 255 |
The Glove | 256 |
Time's Revenges | 258 |
The Italian in England | 258 |
The Englishman in Italy | 260[vi] |
In a Gondola | 262 |
Waring | 264 |
The Twins | 266 |
A Light Woman | 267 |
The Last Ride Together | 267 |
The Pied Piper of Hamelin | 268 |
The Flight of the Duchess | 271 |
A Grammarian's Funeral | 279 |
The Heretic's Tragedy | 280 |
Holy-Cross Day | 281 |
Protus | 283 |
The Statue and the Bust | 283 |
Porphyria's Lover | 286 |
"Childe Roland to the Dark Tower Came" | 287 |
A SOUL'S TRAGEDY | 289 |
LURIA | 299 |
CHRISTMAS-EVE AND EASTER-DAY. | |
Christmas-Eve | 316 |
Easter-Day | 327 |
MEN AND WOMEN. | |
"Transcendentalism: A Poem in Twelve Books" | 335 |
How It Strikes a Contemporary | 336 |
Artemis Prologizes | 337 |
An Epistle, containing the Strange Medical
Experience of Karshish, the Arab Physician |
338 |
Johannes Agricola in Meditation | 341 |
Pictor Ignotus | 341 |
Fra Lippo Lippi | 342 |
Andrea del Sarto | 346 |
The Bishop orders his Tomb at Saint Praxed's Church | 348 |
Bishop Blougram's Apology | 349 |
Cleon | 358 |
Rudel To the Lady of Tripoli | 361 |
One Word More | 361 |
IN A BALCONY | 364 |
Ben Karshook's Wisdom | 372 |
DRAMATIS PERSONÃ?. | |
James Lee's Wife. | |
I. James Lee's Wife speaks at the Window | 373 |
II. By the Fireside | 373 |
III. In the Doorway | 373 |
IV. Along the Beach | 374 |
V. On the Cliff | 374 |
VI. Reading a Book, under the Cliff | 374 |
VII. Among the Rocks | 375 |
VIII. Beside the Drawing-Board | 375 |
IX. On Deck | 376 |
Gold Hair: a Story of Pornic | 376 |
The Worst of It | 378 |
Dîs Aliter Visum; or, Le Byron de Nos Jours | 379 |
Too Late | 380 |
Abt Vogler, after he has been extemporizing upon
the Musical Instrument of his Invention |
382 |
Rabbi Ben Ezra | 383 |
A Death in the Desert | 385 |
Caliban upon Setebos; or, Natural Theology in the Island | 392 |
Confessions | 394 |
May and Death | 395 |
Deaf and Dumb: a Group by Woolner | 395 |
Prospice | 395 |
Eurydice to Orpheus: a Picture by Leighton | 395 |
Youth and Art | 396 |
A Face | 396 |
A Likeness | 396 |
Mr. Sludge, "the Medium" | 397 |
Apparent Failure | 412 |
Epilogue | 413 |
THE RING AND THE BOOK. | |
I. The Ring and the Book | 414 |
II. Half-Rome | 427 |
III. The Other Half-Rome | 441 |
IV. Tertium Quid | 456 |
V. Count Guido Franceschini | 471 |
VI. Giuseppe Caponsacchi | 489 |
VII. Pompilia | 508 |
VIII. Dominus Hyacinthus de Archangelis, Pauperum Procurator | 525 |
IX. Juris Doctor Johannes-Baptista Bottinius,
Fisci et Rev. Cam. Apostol. Advocatus |
540 |
X. The Pope | 554 |
XI. Guido | 572 |
XII. The Book and the Ring | 594 |
Helen's Tower | 601 |
BALAUSTION'S ADVENTURE, including a Transcript from Euripides, | 602 |
ARISTOPHANES' APOLOGY, including a Transcript from
Euripides, being the Last Adventure of Balaustion |
628 |
PRINCE HOHENSTIEL-SCHWANGAU, SAVIOUR OF SOCIETY | 681 |
FIFINE AT THE FAIR. | |
Prologue | 701 |
Fifine at the Fair | 702 |
Epilogue | 735 |
RED COTTON NIGHT-CAP COUNTRY; OR TURF AND TOWERS | 736[vii] |
THE INN ALBUM | 773 |
PACCHIAROTTO, WITH OTHER POEMS. | |
Prologue | 802 |
Of Pacchiarotto, and how he worked in Distemper | 802 |
At the "Mermaid" | 807 |
House | 808 |
Shop | 809 |
Pisgah-Sights | 810 |
Fears and Scruples | 811 |
Natural Magic | 811 |
Magical Nature | 812 |
Bifurcation | 812 |
Numpholeptos | 812 |
Appearances | 814 |
St. Martin's Summer | 814 |
Herve Riel | 815 |
A Forgiveness | 817 |
Cenciaja | 820 |
Filippo Baldinucci on the Privilege of Burial | 823 |
Epilogue | 827 |
THE AGAMEMNON OF Ã?SCHYLUS | 830 |
LA SAISIAZ | 849 |
THE TWO POETS OF CROISIC | 859 |
Oh Love! Love | 874 |
DRAMATIC IDYLS: FIRST SERIES. | |
Martin Relph | 875 |
Pheidippides | 877 |
Halbert and Hob | 879 |
Ivan Ivanovitch | 880 |
Tray | 887 |
Ned Bratts | 887 |
DRAMATIC IDYLS: SECOND SERIES. | |
Prologue | 892 |
Echetlos | 892 |
Clive | 893 |
Muléykeh | 897 |
Pietro of Abano | 899 |
Doctor —— | 906 |
Pan and Luna | 909 |
Touch him ne'er so lightly | 910 |
The Blind Man to the Maiden | 910 |
Goldoni | 910 |
JOCOSERIA. | |
Wanting is—What? | 911 |
Donald | 911 |
Solomon and Balkis | 913 |
Cristina and Monaldeschi | 914 |
Mary Wollstonecraft and Fuseli | 916 |
Adam, Lilith, and Eve | 916 |
Ixion | 916 |
Jochanan Hakkadosh | 918 |
Never the Time and the Place | 928 |
Pambo | 928 |
FERISHTAH'S FANCIES. | |
Prologue | 929 |
I. The Eagle | 929 |
II. The Melon-Seller | 930 |
III. Shah Abbas | 930 |
IV. The Family | 932 |
V. The Sun | 933 |
VI. Mihrab Shah | 934 |
VII. A Camel-Driver | 936 |
VIII. Two Camels | 937 |
IX. Cherries | 938 |
X. Plot-Culture | 939 |
XI. A Pillar at Sebzevar | 940 |
XII. A Bean-Stripe: also Apple-Eating | 942 |
Epilogue | 946 |
Rawdon Brown | 947 |
The Founder of the Feast | 947 |
The Names | 947 |
Epitaph on Levi Lincoln Thaxter | 947 |
Why I am a Liberal | 948 |
PARLEYINGS WITH CERTAIN PEOPLE OF IMPORTANCE IN THEIR DAY. | |
Apollo and the Fates | 948 |
With Bernard de Mandeville | 952 |
With Daniel Bartoli | 955 |
With Christopher Smart | 959 |
With George Bubb Dodington | 961 |
With Francis Furini | 964 |
With Gerard de Lairesse | 970 |
With Charles Avison | 974 |
Fust and his Friends: an Epilogue | 979 |
ASOLANDO: FANCIES AND FACTS. | |
Prologue | 987 |
Rosny | 987 |
Dubiety | 987 |
Now | 988 |
Humility | 988 |
Poetics | 988 |
Summum Bonum | 988 |
A Pearl, a Girl | 988 |
Speculative | 988 |
White Witchcraft | 989 |
Bad Dreams. I. | 989 |
Bad Dreams. II. | 989 |
Bad Dreams. III. | 990 |
Bad Dreams. IV. | 990 |
Inapprehensiveness | 991 |
Which? | 991 |
The Cardinal and the Dog | 991 |
The Pope and the Net | 992 |
The Bean-Feast | 992 |
Muckle-Mouth Meg | 993 |
Arcades Ambo | 993 |
The Lady and the Painter | 993[viii] |
Ponte dell' Angelo, Venice | 994 |
Beatrice Signorini | 996 |
Flute-Music, with an Accompaniment | 999 |
"Imperante Augusto natus est—" | 1001 |
Development | 1002 |
Rephan | 1003 |
Reverie | 1005 |
Epilogue | 1007 |
APPENDIX. | |
I. An Essay on Shelley | 1008 |
II. Notes and Illustrations | 1014 |
III. A List of Mr. Browning's Poems and Dramas, arranged in the order of | |
first publication in book form | 1023 |
INDEX OF FIRST LINES OF POEMS | 1027 |
GENERAL INDEX OF TITLES | 1031 |
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